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I really like swimming lasix 30 mg The same goes for Ryuhei Kitamura’s No One Lives, a clever twist on the slasher formula which pits a gang of despicable criminal low-lifes against an almost superhuman psycho killer. Richard Raaphorst’s Frankenstein’s Army rejigs the overfamiliar found footage technique in a way that doesn’t make you seasick and also makes narrative sense, as a platoon of Russian soldiers traversing Germany towards the end of the Second World War stumbles across a laboratory full of monsters. And what monsters! Low-budget production design outdoes itself in a display of warped imagination as the soldiers encounter, or are even turned into, lumbering but lethal mutants with giant lobster claws, clashing scissorhands or, in one case, a literal propeller-head.